Монография отражает лингвистический поворот в философии XX века. Особое внимание уделяется невербальным формам коммуникации, предлагается техника анализа таких медиумов, как образы и звуки, тело, лицо, жилище, еда и другие. Для специалистов.

This volume is in the nature of a perspective on these and related Indian thoughts. Wherever necessary and possible, a brief overview of the concerned ideas in the other culture-areas has been given to facilitate a comparative understanding, besides a chapter on Modern Perspective on the Physical World. Relevant original passages in Sanskrit under References, an extensive bibliography of both primary and secondary sources, and a glossary of technical words have been included in this volume. It is hoped that these (...) will stimulate interested readers towards further intensive studies. Contents include: Preface, General Introduction, An Overview, Unitary Conceptions, Five Elements, Substance, Qualities and Motion, Atomism, Epistemology: Its Ultimate Aim, Space and Time, Heat, Light and Sound, Weights and Measures, Modern Perspective on the Physical World, Appendices, Abbreviations, Glossary, General Bibliography. (shrink)

Compares India's sacred culture with the culture of the Western world.

Insightful commentary, the original Sanscrit lettering, and word-for-word analyses by a noted Hindu teacher and translator accompanies a discussion between the ...

Mikhail Bulgakov's novel The Master and Margarita was written between 1929 and 1940. Although delayed for a quarter of a century, it quickly found a stable place in our life as soon as it was published [for the first publication of the novel see: Moskva, 1966, no. 11; 1967, no. 1]. It is usually classified as a satirical philosophical novel. The satirical element puts it in the same family as such well-known works of the end of the '20s as the (...) novels of I. Il'f and E. Petrov, Twelve Chairs [Dvenadtsat' stul'ev] and The Golden Calf [Zolotoi telenok], but its emphatically philosophical orientation makes it all but a unique phenomenon in the history of Soviet literature. The novel's philosophical aspects have already been examined in a number of essays. Thus, for example, N. P. Utekhin analyzes the reflection of certain general philosophical categories in the novel. G. Chernikova and I. L. Galinskaia have endeavored to determine the concrete literary sources of the novel's philosophy [Chernikova 1971, pp. 213-219; Galinskaia 1986]. (shrink)

The Wigner distribution and its equation of motion in the scalar potential case are arrived at in an unusual way. This in turn suggests (a) a departure from the standard Wigner distribution treatment for a charged particle in a magnetic field and (b) a new approach to quantization of nonconservative systems. Suggestion (a) is found to be, like the standard treatment, in agreement with Schrödinger's equation but, unlike it, also satisfies local classical-type conservation laws and employs a distribution which is (...) gauge-invariant rather than merely gauge-covariant. Suggestion (b) gives a clear result only in the case of resistance proportional to velocity, when it agrees with the Schrödinger-Langevin equation; for other dissipative systems a fresh assumption is required, and a proposal in that direction is put forward. (shrink)

Any Donquixotism is tragicomic in two respects. First, it worships that which does not at all correspond to its ideals. Second, it struggles against that which does not at all have the traits it hates so much. In both cases what is tragicomic in Donquixotism is the discrepancy between the thought and the fact, the desire and the action. Donquixotism is a life of inner contradiction with reality and with oneself.